model: Lizzie Hornshuh
More photos and technical info after the jump.
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Showing posts with label black and white. Show all posts
Showing posts with label black and white. Show all posts
20171220
20171117
20150625
Courty Lakin
Fujica ST-801
Fujinon EBC 50mm f/1.4 lens
Kodak Tri-X 400 35mm film
Kodak Xtol (1+1) developer
20ÂșC - 10min
20150505
Kat Kalashnikov - Fashion
model and stylist: Kat Kalashikov
More photos and technical info after the jump.
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20141012
20140818
Gnossienne - Silhouette Play
model: Katie Gnossienne
lighting: Scott Stallings
Charlotte, NC
More (NSFW) photos and technical info after the jump.
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20140319
Cora - Black
model: Cora Deitz
wardrobe: Bob Smithey with At The Ritz Costumes
Greensboro, NC
More photos and technical info after the jump.
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20140227
Katie and Megan
models: Katie Robinson and Megan Porter
styling/MUA: Megan Porter
More photos and technical info after the jump.
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20140123
Katie as Marilyn
model: Katie Schmidt (as Marilyn Monroe)
wardrobe: Bob Smithey with At The Ritz Costumes
Greensboro, NC
More photos and technical info after the jump.
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20140115
20130506
Kat - IR
model: Kat Kalashnikov
stylist: Kat Kalashnikov
assistant: Kelly Hawkins
Technical info after the jump.
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20130313
Melissa
model: Melissa Stanley
styling by: Melissa Stanley
location and opportunity provided by: Lizzie Hornshuh
More photos and technical info after the jump.
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20121206
20121201
Death Smokes
Model and creator behind the mask: Sam Cruse
More photos and technical info after the jump.
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20121124
My DIY Darkroom
My "darkroom" where I develop my black and white film is a bathroom I share with three other people. So, my set-up has to be easily put together and taken apart every time I develop film. The only things that are (semi-)permanent are my DIY film wash hose that's attached the the left-hand sink and the bathroom window blacked out with construction-grade black trash bags and painter's tape. And those both could be taken down and put back up without too much trouble. The room is 99% dark once I black-out the bathroom door (from the inside) with a large black sheet made of the same black trash bags, hung with painter's tape, and secured to the floor with a rolled-up bath mat. My chemical jugs are stored in a cardboard box on the floor to the left of the sinks, the tanks and equipment go into a duffel bag that sits on top of the box, and my stool folds up and fits in the corner. Altogether taking up about 3ftx2ft of out-of-the-way floor space.
At the moment I use mostly Kodak photo chemicals: Kodak Xtol Developer, Kodak Indicator Stop Bath, Kodak Rapid Fixer, Kodak Hypo Clearing Agent, Kodak Photo Flo. Occasionally, I develop using Agfa/Adox Rodinal Developer or Photographer's Formulary PMK Pyro Developer with Photographer's Formulary TF-4 Archival Fixer. My equipment is a mixture of professional stainless steal tanks and reels, and DIY plastic and Tupperware/Rubbermaid containers and pitchers.
I develop film using the lift-rod method. While processing film (dev, stop, fix) I work in total darkness with film in open containers. Each chemical has it's own container. The developing film is transferred from chemical to chemical using a lift-rod. To agitate I use the lift-rod to lift, lower, and rotate the film reels within their containers. To keep track of my film, chemistry, and equipment in total darkness I keep to a strict routine and place all tanks in the exact same order and locations each time. Afterwards, I hang my film under a ceiling fan to dry.
Unfortunately, I do not have enough space for an enlarger or photo paper trays, so printing is out of the question. Instead, I scan my film straight from the darkroom and either print digitally or through a professional photo/print lab.
At the moment I use mostly Kodak photo chemicals: Kodak Xtol Developer, Kodak Indicator Stop Bath, Kodak Rapid Fixer, Kodak Hypo Clearing Agent, Kodak Photo Flo. Occasionally, I develop using Agfa/Adox Rodinal Developer or Photographer's Formulary PMK Pyro Developer with Photographer's Formulary TF-4 Archival Fixer. My equipment is a mixture of professional stainless steal tanks and reels, and DIY plastic and Tupperware/Rubbermaid containers and pitchers.
I develop film using the lift-rod method. While processing film (dev, stop, fix) I work in total darkness with film in open containers. Each chemical has it's own container. The developing film is transferred from chemical to chemical using a lift-rod. To agitate I use the lift-rod to lift, lower, and rotate the film reels within their containers. To keep track of my film, chemistry, and equipment in total darkness I keep to a strict routine and place all tanks in the exact same order and locations each time. Afterwards, I hang my film under a ceiling fan to dry.
Unfortunately, I do not have enough space for an enlarger or photo paper trays, so printing is out of the question. Instead, I scan my film straight from the darkroom and either print digitally or through a professional photo/print lab.
More photos and technical info after the jump.
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20120821
20120806
20120731
20120315
20120312
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